
Shintaro Katsu as the Blind Swordsman Zatoichi
I am thinking of two incredible blind warriors. One is from the Japanese cinema circa 1970s; and the other is from the literature of Edwardian England, around the time of the First World War.
During the 1970s I was a big fan of Daiei Studio’s Zatoichi films. At the time, Daiei owned two movie theaters in Los Angeles: the Sho Tokyo in Downtown L.A.’s Little Tokyo and the Kokusai on Crenshaw just south of Adams. Both theaters are long since gone.
Zatoichi was a blind masseur and gambler who also was a samurai-grade swordsman who could slice his opponents to ribbons due to his superior hearing ability. Between 1962 and 1989, Daiei produced some 26 Zatoichi films starring Shintaro Katsu. At the time, Daiei had some excellent action directors such as Kazuo Ikehiro, Issei Mori, Tokuzo Tanaka, and Kenji Misumi. Probably my favorite title was Zatoichi’s Fire Festival (1970).
Skipping to the other blind warrior, we have Private Investigator Max Carrados created by Ernest Bramah, a London tea merchant, who was also responsible for the Kai Lung stories, which can be described as fantasy Chinoiserie.
Max Carrados may not have been a swordsman, but his skills were no less incredible.In “The Coin of Dionysius,” a man named Carlyle investigates a Sicilian tetradrachm, taking it to the blind detective:
For a few seconds Carrados handled the piece with the delicate manipulation of his finger-tips while Carlyle looked on with a self-appreciative grin. Then with equal gravity the blind man weighed the coin in the balance of his hand. Finally he touched it with his tongue.
“Well?” demanded the other.
“Of course I have not much to go on, and if I were more fully in your confidence I might come to another conclusion—”
“Yes, yes,” interposed Carlyle, with amused encouragement.
“Then I would advise you to arrest the parlourmaid, Nina Brun, communicate with the police authorities of Padua for particulars of the career of Helene Brunesi, and suggest to Lord Seastoke that he should return to London to see what further depredations have been made in his cabinet.”
Both the Zatoichi films and the Max Carrados stories are highly entertaining, even if a bit fanciful.








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