
Brazilian Writer Clarice Lispector (1920-1977)
In August 2023 I wrote: “Clarice. I love her name. I love her high cheekbones and penetrating gaze. And most of all, I love the beauty of her thoughts and writings. She wrote in Portuguese, but she was born Chaya Pinkhasivna Lispector in Chechelnyk, Ukraine. To escape the horrors of the Civil War between the Red and White Russians, her Jewish parents fled with their infant daughter to Recife in northeastern Brazil. At an early age, it was discovered that she could write well enough to be published. And she became one of the great women novelists and short story writers of the 20th century.”
Now I am reading her second novel, The Chandelier (1944), which is strange, arresting, and beautiful by turns. Here is a paragraph. Its strangeness is very Clarician.
She was thinking untranslatable sensations distracting herself secretly as if humming, profoundly unaware and stubborn, she was thinking a single swift streak: In order to be born things must have life, for birth is a movement—if they said that movement is necessary only for the thing giving birth and not for the thing that is born that’s not right because the thing that gives birth cannot give birth to something outside its nature and thus always gives birth to a thing of its own kind and so it is with movements too—in this way stones were born that have no power of their own but were once alive otherwise they wouldn’t have been born and now they’re dead because they don’t have movement in order to give birth to another stone.










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